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c. 1445 – May 17, 1510. Italian painter.

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MOLA, Pier Francesco
THe Rest on the Flight into Egypt

ID: 43097

MOLA, Pier Francesco THe Rest on the Flight into Egypt
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MOLA, Pier Francesco THe Rest on the Flight into Egypt


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MOLA, Pier Francesco

Italian Baroque Era Painter, 1612-1666 Painter and draughtsman, son of (1) Giovanni Battista Mola. His most characteristic works are small, intensely romantic scenes from mythology, the Bible, and from works by the poet Torquato Tasso, set in landscapes inspired by Venetian art. Yet he also received important public commissions for frescoes and altarpieces, and in his mature work he achieved an impressive synthesis of 17th-century Roman gran maniera painting with the stronger chiaroscuro and richer palette of the 16th-century Venetian style. He was a prolific and versatile draughtsman, who drew for pleasure as well as in preparation for commissions; he was also a witty caricaturist, who mocked himself and his friends as much as more typical targets  Related Paintings of MOLA, Pier Francesco :. | Self-portrait | Self-Portrait | Barbary Pirate with a Bow | Herminie gardant ses troupeaux grave sur un arbre le nom de Tancrede | Jacob's Meeting with Rachel |
Related Artists:
GIuseppe Cesari Called Cavaliere arpino
Rome 1568-1640
Charles-edouard Chaise
(1759, Paris - 1798, Fontainebleau) was a French neoclassical painter. His father was a painter, art dealer and member of the Academie de Saint-Luc. Charles-Edouard studied under Jean Bonvoisin in 1775, then under Jean-Jacques Lagrenee, before winning second prize in the 1778 prix de Rome with David condemning to death the Amalekite bringing him Saul's diadem.
Francis Nicholson
English Painter, 1753-1844 English painter. After studying with a local artist in Scarborough, Nicholson began his career in his native Pickering, producing sporting pictures and portraits for Yorkshire patrons. In the mid-1780s a sideline in portraits of country houses led him to concentrate on landscapes in watercolour. From 1789 he contributed views of Yorkshire and Scotland to exhibitions at the Royal Academy. He also supplied topographical views for the Copper Plate Magazine. Although his market increasingly became London-based, Nicholson continued to live in Yorkshire (at Whitby, Knaresborough and Ripon), only moving to London c. 1803.






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